“We filmed that for about three weeks”: The Shining Scene That Became Shelley Duvall’s Nightmare Fuel Was Filmed for a Whopping 127 Times to Satisfy Stanley Kubrick

The Shining has linked the fates of Stanley Kubrick and Shelley Duvall together due to the 127-takes controversy that will haunt them till the end of time.

shelley duvall, the shining

SUMMARY

  • Stanley Kubrick's The Shining lives to this day as the single greatest piece of horror masterpiece on film.
  • Shelley Duvall was made to suffer through a waking nightmare 127 times just to get the perfect shot.
  • The 127-takes controversy has stained the reputation of Stanley Kubrick, despite his status as one of the greatest filmmakers of all time.
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The Shining, a landmark movie in Hollywood, and one of Stanley Kubrick’s greatest achievements, stands as a testament to how art can turn into a vivid nightmare and how passion can be corrupted by obsession in a single scene.

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The Shining starring Jack Nicholson [Credit: Warner Bros. Pictures/Columbia Pictures]
The Shining starring Jack Nicholson [Credit: Warner Bros. Pictures/Columbia Pictures]

The film that made Jack Nicholson the ‘Here’s Johnny’ meme king and earned Shelley Duvall an insulting Razzie holds a dark and tortured history underneath the polished surface of its pop culture fame and timelessness.

The Shining: A Slow Descent Into Depravity

Despite earning a Golden Raspberry for it, Shelley Duvall’s powerful performance in the film was not entirely an act. A tale as old as time — the terrifying chase scene through the Overlook Hotel that followed the baseball bat-wielding wife defending herself from the axe-wielding husband was maniacally filmed over 100 times to get the perfect result.

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Shelley Duvall in The Shining [Credit: Warner Bros. Pictures/Columbia Pictures]
Shelley Duvall in The Shining [Credit: Warner Bros. Pictures/Columbia Pictures]

While some claim art requires sacrifice, Duvall never deserved what came her way on the day Kubrick began filming that particular scene. In a 2021 interview with The Hollywood Reporter, the actress broke down in tears while rewatching the scene, saying:

We filmed that for about three weeks. Every day. It was very hard. Jack was so good – so damn scary. I can only imagine how many women go through this kind of thing. It was a difficult scene, but it turned out to be one of the best in the film.

In the end, The Shining left behind a legacy horror film, two tormented actors, a lifetime of psychological scars, and Stanley Kubrick’s divisive reputation as an immortal genius.

The Mad Genius of Stanley Kubrick & His 127 Takes

Stanley Kubrick famously shot 127 takes of a single scene while filming the Stephen King adaptation, The Shining. The scene in itself was an ambitious one — encompassing the building tension of the film and featuring an unending, frenzied display of fear and insanity: “I’m not gonna hurt you; I’m gonna bash your brains in.”

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The Shining (1980) [Credit: Warner Bros. Pictures/Columbia Pictures]
The Shining (1980) [Credit: Warner Bros. Pictures/Columbia Pictures]

The climactic showdown, viewed through Kubrick’s lens, was a panic-inducing, nails-on-a-chalkboard-level disturbing sequence that showed the audience what real terror, paranoia, and manic breakdown look like. The scene, as a product of art, was a masterclass in acting. But beyond that, the scene failed Shelley Duvall for its infallible inhumanity.

Years down the line, considering Kubrick’s seemingly unimpeachable reputation as a legendary director and auteur, it seems horrifying to even comprehend the abuse and trauma inflicted during those takes that nearly drove Duvall away from Hollywood.

Never mind the behind-the-scenes stories, the controversy that stems from the 127-takes incident alone was enough to motivate the filmmaker’s daughter, Vivian Kubrick, to shoot an explosive documentary that spared neither bias nor sympathy for the “perfectionist” in him.

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The Shining is available to stream on AMC+

Diya Majumdar

Written by Diya Majumdar

Articles Published: 1724

With a degree in Literature from Miranda House, Diya Majumdar now has over 1700 published articles on FandomWire. Her passion and profession both include dissecting the world of cinema while being a liberally opinionated person with an overbearing love for music, Monet, and Van Gogh.