“That would never, ever happen again”: ‘Twister’ Director Laments Over Glen Powell’s Sequel For Missing 1 Crucial Aspect That Made the Original Film So Successful

Twister director Jan de Bont doesn't think the sequel movie can ever recreate the practicality of the original film.

Twisters

SUMMARY

  • Jan de Bont, director of 1996's Twister, shared his candid thoughts about Glen Powell's sequel film.
  • The Dutch filmmaker noted the huge differences between the two films due to advancement in technology.
  • Lee Isaac Chung claimed he used as much practical props in the sequel to achieve realistic effects.
Show More
Featured Video

Glen Powell’s Twisters is currently raging at the box office and is expected to do well on its opening weekend. As the sequel to the 1996 disaster movie helmed by Jan de Bont, it is expected to become an upgraded version of the storm-chasing adventure story.

Advertisement
twister-1996
Jan de Bont’s Twister / Universal Pictures

The director of the original movie, however, has one remark on the sequel. He thinks it won’t be able to capture the authentic feeling of having a practical set since everything can now be done and achieved through digital technology.

Original Twister Director Doesn’t Believe The Sequel Will Be As Practical As The 1996 Version

While speaking with Inverse, director Jan de Bont talked about how successful his 1996 Twister movie was. As per The Numbers, it earned over $495 million against a budget of $88 million. “It made so much money for the studio. Sooner or later they would do it,” he stated.

Advertisement
twister-1996-2
Jan de Bont’s Twister / Universal Pictures

The Dutch filmmaker said he was neither informed that a sequel was in the works nor asked for consultation throughout its progress. Nonetheless, he believes the sequel is its own version and will be far different from the original movie due to technological advancements.

When things fell from the sky, there were real things falling from a helicopter. If you film a car escaping a tornado in a hail storm, it was real ice that came at us. It’s a movie that cannot be remade… That would never, ever happen again.

He takes pride in the fact that Twister helped revolutionize visual effects. The film was made with the aid of Industrial Light & Magic which designed realistic-looking tornados. The company, headed by George Lucas, brought a visual spectacle to the big screen that fans truly loved and enjoyed.

De Bont said that “every shot was a fortune” because it would take them three days to transfer information onto film. Nowadays, everything is as simple as one click. This also prompted the production team to be careful when filming because every shot was precious.

Advertisement

Lee Isaac Chung Utilized Less Special Effects On Twisters

daisy edgar-jones anthony ramos and glen powell twisters
Daisy Edgar-Jones, Anthony Ramos, and Glen Powell in Twisters / Universal Pictures

Twisters director Lee Isaac Chung previously spoke with Empire Magazine and revealed they tried to make the sequel as authentic and practical as possible. They wanted it to pay homage to the 1996 version, so they minimized the use of digital effects.

This is an elemental story, so I wanted us to go as practical as possible. We really tore things up. We had jet engines blowing. We had fans so massive you’d lose your hearing without earplugs. We were pelting our cast with everything – dirt, wind, ice.

If this is the case, then it’s good news for Jan de Bont as well as the fans who are going to watch the film. The Dutch filmmaker confessed before that he wasn’t sure about seeing the movie on its premiere day, but he might want to reconsider now after Chung’s statement.

Apart from Glen Powell, Twisters also stars Daisy Edgar-Jones and Anthony Ramos. The film is executive produced by Steven Spielberg via Amblin Entertainment.

Advertisement

Twisters is now showing in theaters worldwide.

Avatar

Written by Ariane Cruz

Articles Published: 2283

Ariane Cruz, Senior Writer. She has been contributing articles for FandomWire since 2021, mostly covering stories about the latest movies and series. With a degree in Communication Arts, she has an in-depth knowledge of print and broadcast journalism. Her other works can also be seen on Screen Rant and CBR.