Many filmmakers making their feature debut opt to tell a story inspired — at least in part — by their life. Although this has brought about some incredible films, others feel like complete ego trips. Tracie Laymon’s Bob Trevino Likes It is uncharacteristically humble for this genre, telling its story in a way that perfectly balances humor and humanity, allowing it to overcome its somewhat simplistic storytelling and be genuinely moving.
The film follows a young woman who finds an unexpected connection on Facebook with a man sharing her father’s name after falling out with her real father. Although this sounds like it could make a stranger-than-fiction story, Laymon’s approach doesn’t lean into this absurdity. Instead, it takes the form of a mostly low-key, pretty maudlin, but very effective indie dramedy.
Since Bob Trevino Likes It is based on a true story from writer-director Tracie Laymon’s life, it has tons of authenticity — even when it starts to explore more conventional beats. These become particularly prevalent in a rushed third act, but by that point, you will already be so invested in the story that it’s easy to forgive the contrivances it takes.
Bob Trevino Likes It is funny and moving with great performances
The performances from the cast are strong across the board, but the movie’s leads are where it shines brightest. As the film begins, it feels as if Barbie Ferreira’s leading turn will be somewhat annoying in a conventional coming-of-age sort of way, but throughout the runtime, she grows into the role and becomes much more likable. However, the true highlight is John Leguizamo, who infuses an incredible amount of humanity into his role.
What makes Bob Trevino Likes It work so well is the incredible empathy Laymon shows to her characters. Although some of their actions lean into ridiculous or even detestable territory, Laymon takes care not to demonize them. This is particularly true with French Stewart’s character, which is probably the most complex in the film. Surprisingly, Stewart brings a lot of nuance to his role.
Through these characters inspired by her own life, Laymon explores moving, universal themes like chosen family and forming connections in unexpected places. It’s undoubtedly sentimental, but it’s refreshing to see a movie as uplifting as this — particularly one that deals with the topic of social media, which is usually a source of gloom in cinematic commentary.
From a technical level, the film is nothing special, with a straightforward festival indie approach. It’s a competent way to make an indie dramedy. It lacks a distinctive style, but Laymon wisely understands that the strengths of her movie are the heartwarming story and strong performances.
Bob Trevino Likes It doesn’t break any new ground, but the heartwarming story and excellent performances from John Leguizamo, Barbie Ferreira, and French Stewart elevate it above the many other indie dramedies based on their filmmakers’ personal stories. Many viewers will leave the film teary-eyed, and few will leave without feeling moved in some way.
Bob Trevino Likes It is screening at the 2024 SXSW Film Festival, which runs March 8-16 in Austin, TX.
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Rating: 8/10
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