Christopher Nolan is a renowned filmmaker. Known for his out-of-the-box thinking and innovative filmmaking techniques, he has never failed to leave audiences in awe. Oppenheimer serves as the latest example of the filmmaker’s cinematic genius. The autobiographical thriller was a success in every right.
A hit with the masses and critics alike, the film introduced some nuances of the art of filmmaking. These were a product of Nolan’s filmmaking intellect or some good old technological advances. Either way, watching Oppenheimer is an unparalleled cinematic experience. In one scene, Nolan’s use of practical effects just took things up a notch.
Christopher Nolan’s Brilliant Use of Practical Effects In Oppenheimer
Keen attention to detail and a powerful narrative are the pillars of a Christopher Nolan film. Thanks to his perfectionist behavior, Nolan goes above and beyond to make the most of any scene. For instance, in Oppenheimer, the use of practical effects, instead of virtual effects or CGI is rather unconventional.
For those less versed in filmmaking jargon, practical effects are when the special effects are created in real-time and captured while filming rather than editing in post-production. This means that the atomic radiation and nuclear fissions Oppenheimer sees in the film were seen by Cillian Murphy in real-time.
However, there was another technique Nolan used while filming which just might be the most brilliant tactic of all. Whenever Oppenheimer is worried, nervous, or restless in the film, his surroundings would vibrate. This conveys the scientist’s uncertainty and confusion.
It is fair to assume that this is the wizardry of post-production editors. But the truth is, it was Nolan’s idea to have the surrounding glitch in real-time and have it caught on camera.
Christopher Nolan’s Genius Use Of A Projector
According to @thisweeksmovie on Instagram, Nolan used a good old handy projector to cause the subtle rippling effect around Murphy while filming. The Inception director had a bright idea that made all the difference.
To cause a glitch in real-time and record it on camera, the image of the background was taken and projected back on it using a projector. The movement of the superimposed image would give the impression of a glitch.
The projector served as a bridge between the abstract and the tangible. An unprecedented portrayal of human emotions of nervousness and anxiety. This technique is unique and evokes a dreamlike quality with how it plays the brilliant game of lights and shadows. A treat to the viewers’ eyes. This was visual effects taken to another level and is a testament to Nolan’s remarkable cinematic prowess.
No wonder the movie has not only garnered 13 BAFTA nominations but also 13 Academy Award nominations, including nominations for Best Director for Christopher Nolan and Best Actor for Cillian Murphy.
