The Only Movie in James Cameron’s Career That Did Not Gross Over $100 Million at Box Office

The Abyss: James Cameron’s unsung underwater epic, struggled to establish itself in cinematic history.

The Only Movie in James Cameron’s Career That Did Not Gross Over $100 Million at Box Office

SUMMARY

  • James Cameron creates movies for all audiences, regardless of whether they are about star-crossed lovers or just a general love for humanity.
  • But within the vast ocean of his illustrious career, one movie—The Abyss—stands out as a wonderfully underappreciated gem.
  • Cameron’s limitless inventiveness and pursuit of cinematic perfection are evident in The Abyss, despite its lack of box office success.
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James Cameron creates movies for all audiences, regardless of whether they are about star-crossed lovers or just a general love for humanity. Generally speaking, his films are global endeavors that are not only beloved by audiences but also considered essential viewing.

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But within the vast ocean of his illustrious career, one movie—The Abyss—stands out as a wonderfully underappreciated gem. Released in 1989, this amazing underwater journey explored undiscovered ground while captivating viewers with its breathtaking sights and thought-provoking themes. Cameron’s limitless inventiveness and pursuit of cinematic perfection are evident in The Abyss, despite its lack of box office success. With an estimated box office receipt of $90 million and mostly favorable reviews, the film received four Academy Award nominations and took home the Best Visual Effects Oscar.

James Cameron's The Abyss (1989)
James Cameron’s The Abyss (1989)

Also read: “We’re not exactly friends”: Ridley Scott Felt Like ‘Damaged Goods’ When James Cameron Stole His Brainchild After Blade Runner Failure

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James Cameron’s The Abyss Fell Short of Making $100 Million

The Abyss, directed by James Cameron, pushed the envelope of what was thought to be possible and established new standards for visual effects. His steadfast attention to detail and skill at integrating cutting-edge technology revolutionized underwater filmmaking. The film transported viewers to its enigmatic world with its stunning underwater scenes and cutting-edge creature effects. 

Cameron discussed The Abyss in a Q&A session with moderator Jim Hemphill at the genre festival Beyond Fest (via Variety). This came after a 140-minute Special Edition screening of the movie. Answering a query from the audience, he said:

“All of the mastering is done and I think it drops pretty soon — a couple of months or something like that. There’s a lot of added material that they’re sticking in there, and it will be available on streaming simultaneously. But I didn’t just want to look at the old HD transfer. I wanted to do it right.”

The Abyss Set
The Abyss

The movie, which was released in 1989 and reportedly cost less than half that amount, went on to make just under $90 million worldwide, making it one of the director’s few films that did not experience commercial success. Cameron acknowledged that a wide range of influences contributed to the film’s mosaic of romance, extraterrestrial encounters, and Cold War politics. 

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“I think anybody that was a movie fan at that time — we’re talking 34 years ago — could see the DNA from other movies, from ‘Close Encounters’ to the Cold War sub movies, so obviously I was being pulled in different directions.”

Prior to the work done on Avatar: The Way of Water in 2022, Cameron also employed some amazing underwater camerawork in The Abyss. The latter was well-received by audiences and brought in $90 million at the box office.

Read more: 76-Year-Old Arnold Schwarzenegger Returning for Yet Another Terminator Project Despite Dark Fate Debacle? Fans Not Happy With Netflix Revival

Ed Harris in The Abyss
Ed Harris in The Abyss

James Cameron’s Dreadful The Abyss Experience

James Cameron disclosed during the Q&A that he came dangerously close to dying while making the movie, which necessitated that lead actors, Ed Harris, Michael Biehn, and Mary Elizabeth Mastrantonio, among others, perform their parts while scuba diving, according to Variety. As per the publication, the director informed the viewers:

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“We had the ‘angels,’ which were the safety divers that were right there, and each one was assigned to one or two of the actors and just kept them in sight the whole time. But they weren’t watching me.”

James Cameron's The Abyss (1989)
Still from James Cameron’s The Abyss (1989)

Almost every film directed by Cameron, from his breakthrough feature film Piranha II: The Spawning to his massively successful, record-breaking sequel Avatar 2, contains some element of water. The filmmaker gave a personal account of his early years in an interview with Screen Rant to justify his affection for the ocean’s aquatic environments:

“I’ve been in love with the ocean since I was a kid. I’ve [been] a scuba diver since I was 16; I’ve spent thousands of hours underwater all over the place. I’ve seen how the reefs are being degraded; I’ve seen how the ocean is suffering and failing as a result of our presence.”

His goal is to “make people feel connected to the ocean” and perhaps even “make them think a little bit” through films such as Avatar 2, which capture the grandeur of the wide, deep blue seas. 

The Abyss
The Abyss

Despite failing to reach the $100 million mark, The Abyss is a brilliant example that was ahead of its time, challenging viewers to consider the depths of human nature as well as the secrets of the deep sea. 

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Stream The Abyss on Amazon Prime.

Also read: Will Arnold Schwarzenegger Return for Terminator 7? – James Cameron Sends a Glimmer of Hope to Revive Dying Franchise

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Written by Siddhika Prajapati

Articles Published: 1707

Between everyday normalities and supernatural abnormalities, Siddhika Prajapati finds the story in everything. Literature Honors Graduate and Post-Graduated in Journalism (from Delhi University), her undying need to deduce the extraordinary out of simplicity makes her a vibrant storyteller.

Serving as a Senior Entertainment Writer at Fandom Wire and having written over 1700 pieces, Siddhika has also worked with multiple clients and projects over the years, including Indian Express, India Today, and Outlook Group.

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