“The worlds that we’ve built just don’t translate very easily”: Fans Beg Disney to Learn From Pixar After It Refuses to Make Any Live Action Movies of Their Classics

Pixar's boss sets the record straight about their stance on live-action remakes.

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SUMMARY

  • Pete Docter details why Pixar won't be adopting Disney's motto of remaking classics for live-action.
  • The idea itself isn't interesting to Docter, as he prefers films that are original and unique within themselves.
  • Inside Out 2's success has ensured that the company won't have to change its ways drastically.
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Since the success of 2016’s The Jungle Book, Disney has been leaning hard towards live-action remakes of their beloved animated classics. While this has been frustrating for some fans, as many argued it’s creatively bankrupt, it doesn’t seem the House of Mouse is stopping anytime soon. However, unlike its parent company, Pixar has no intentions of translating its stories into live-action.

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Pete Docter, who has been serving as Pixar’s Chief Creative Officer since 2018, set the record straight about the acclaimed studio’s stance on remaking classics for live-action.

Pixar Stories Won’t Translate Well into Live-Action

Pixar has no intentions of retelling their stories in live-action
Pixar Animation Studios

One thing Pixar has excelled over the years is its engrossing world buildings through stories, which could only work in the form of animation. So it’s reasonable to see why the studio heads have no interest in remaking them for the live-action format, as the magic of animation would be lost between the translations. Moreover, the idea itself is not very interesting to Docter, as he prefers films that are “original and unique to themselves.” 

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Up (2009) | Credit:  Walt Disney Studios Motion Pictures)

He told Time:

So much of what we create only works because of the rules of the [animated] world. So if you have a human walk into a house that floats, your mind goes, ‘Wait a second. Hold on. Houses are super heavy. How are balloons lifting the house?’ But if you have a cartoon guy and he stands there in the house, you go, ‘Okay, I’ll buy it.’ The worlds that we’ve built just don’t translate very easily

The Pixar boss is not wrong with his assessment, as there’s no incentive to rehash an already existing story, which would become an inferior experience compared to their animated counterpart.

While the years post-COVID have been tumultuous for the iconic studio, as their last two releases underperformed, with Inside Out 2‘s ginormous success, they’re back on track.

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Pixar’s Future Highly Hinged on Inside Out 2

Inside Out 2
A still from Inside Out 2 | Walt Disney Studios Motion Pictures

Ahead of Inside Out 2‘s release, Pete Docter shared that the future of Pixar highly hinges on the performance of the sequel. Considering their attempt to tell original stories has had little success post-COVID, mostly due to Disney’s decision to premiere them on streaming, it’s understandable why they were banking on Inside Out 2

If this doesn’t do well at the theater, I think it just means we’re going to have to think even more radically about how we run our business

Fortunately, they don’t have to worry about changing their approach drastically, as Inside Out 2 is not only putting the company back on track but is also saving this year’s summer.

However, it’s important to note the reason Inside Out 2 is working so well is because there was a legitimate story to be told, which isn’t always the case with sequels. Hopefully, Disney will not take the wrong lessons from its success, and with Elio heading to theatres next year, fans will hope there will be a steady balance between original stories and worthy expansions.

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Inside Out 2 is currently running in theatres.

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Written by Santanu Roy

Articles Published: 1552

Santanu Roy is a film enthusiast with a deep love for the medium of animation while also being obsessed with The Everly Brothers, Billy Joel, and The Platters. Having expertise in everything related to Batman, Santanu spends most of his time watching and learning films, with Martin Scorsese and Park Chan-wook being his personal favorites. Apart from pursuing a degree in animation, he also possesses a deep fondness for narrative-driven games and is currently a writer at Fandomwire with over 1500 articles.