“They are what they are”: Sofia Coppola Went God Mode on The Godfather Director, Turned Down Advice To Make Re-Cuts To Her Timeless Films

Sofia Coppola does not believe in releasing re-cuts of her previous works unlike her father, who advised her to do so

Sofia Coppola Went God Mode on The Godfather Director, Turned Down Advice To Make Re-Cuts To Her Timeless Films

SUMMARY

  • Francis Ford Coppola is a visionary filmmaker, whose advice would be taken seriously by any other director but that wasn't the case with his daughter
  • Sofia Coppola, who too is an excellent director, shared that she refused to follow her father's advice to release re-cuts of her old movies
  • The young director stated that she loves how each of her movies are despite their flaws and mistakes
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Francis Ford Coppola delivered one of the greatest pieces of art in The Godfather, the movie centered around Don Vito Corleone, head of a mafia family, passing over his powers to his son, Michael. The sequel was received equally well by the moviegoers in 1974, further cementing Coppola’s place among the most visionary filmmakers of all time.

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Sofia Coppola in The Godfather Part III
Sofia Coppola in The Godfather Part III.

However, the third movie, which starred his daughter, Sofia Coppola in a leading role, left critics indifferent. It also led to Coppola reworking The Godfather Part III years later and bringing a recut version, titled The Godfather Coda: The Death of Michael Corleone to the fore. However, it seems his daughter isn’t the biggest fan of this concept.

Read more: “Oh no, what have I done?”: Sofia Coppola Regretted Making Cult Classic Film With Kirsten Dunst After Seeing the Finished Draft

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Why Sofia Coppola Turned Down an Advice From The Godfather Director

Sofia Coppola, who played the role of Mary Corleone in The Godfather Part III, didn’t enjoy the most glamorous of careers in front of the camera and took the director’s chair for The Virgin Suicides in 1999. The story about a group of guys’ obsession with the girls of a conservative family earned Coppola a lot of plaudits.

Sofia Coppola and Kirsten Dunst on the sets of Marie Antoinette
Sofia Coppola and Kirsten Dunst on the sets of Marie-Antoinette.

These days, she is attracting the headlines for brilliantly directing Priscilla, a biographical drama based on the 1985 memoir Elvis and Me by Priscilla Presley.

Coppola sat down with Rolling Stone to talk about her movie and revealed that her father, who likes to revise his work, has encouraged her to do the same, but she has little interest in that approach. She said:

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“My dad loves to recut his movies, and he’s always saying, ‘You can do that!’ I don’t have any desire to. I feel like they are what they are, even with their baby fat and awkwardness, that’s what I was thinking about at that time.”

It’s certainly a bold decision from Coppola to not take the advice of The Godfather director. She further insisted that she’s happy that she gets to make what she wants to make and expressed her satisfaction at how her movie Marie-Antoinette, which flopped at the box office, ended up amassing a passionate fan base over time.

Read more: “I don’t want to do this anymore”: Sofia Coppola Considered Retirement After Working With Spider-Man 2 Star Kirsten Dunst in $40M Movie That Became a Cult-Classic

Why Sofia Coppola Snubbed the Chance to Direct Robert Pattinson’s Movie

Akin to suggestions, irrespective of where they come from, Coppola is also very particular about picking projects.

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Robert Pattinson
Robert Pattinson.

The 52-year-old was offered the opportunity to direct Breaking Dawn, the final chapter of Robert Pattinson and Kristen Stewart’s Twilight saga. The story was split into two films that hit the theaters in 2011 and 2012.

The talks for the movie only lasted one meeting, as Coppola found some elements in it too strange. She revealed to Rolling Stone:

“We had one meeting, and it never went anywhere. I thought the whole imprinting-werewolf thing was weird. The baby. Too weird! But part of the earlier ‘Twilight’ could be done in an interesting way. I thought it’d be fun to do a teen-vampire romance, but the last one gets really far out.”

Coppola also turned down The Little Mermaid, which she developed with the studio, after disagreeing over the budget required to bring the underwater world to life.

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Read more: “The idea of an unlikable woman wasn’t their thing”: Sofia Coppola Claims Apple TV+ Axed Her Series for a Bizarre Reason While Shelling Out $200M for Martin Scorsese

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Written by Vishal Singh

Articles Published: 514

Vishal Singh is a Content Writer at FandomWire. Having spent more than half a decade in the digital media space, Vishal specializes in crafting engaging entertainment- and sports-focused stories. He graduated from university with an honors degree in English Literature.