Are Superhero Movies Dead? Jason Momoa, Brie Larson Prove the End is Nigh

The failure of Jason Momoa and Brie Larson's recent DCEU and MCU endeavors may have confirmed the worst fear among fans of the superhero genre.

Are Superhero Movies Dead? Jason Momoa, Brie Larson Prove the End is Nigh

SUMMARY

  • Expectations for Jason Momoa's Aquaman sequel were high following the first film's commercial success in 2018.
  • Alas, projected box-office figures and a poor critical reception display a bleak picture of the DCEU endeavor.
  • After MCU's The Marvels, Momoa's recent outing has made audiences further question the fate of superhero film franchises.
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After the commercial success of the first movie in 2018, hopes were high for the second installment of Jason Momoa’s Aquaman stint. Tragically, the superhero genre and its power to pull audiences are being questioned as critics’ assessments of the latest James Wan-helmed endeavor paint a bleak picture. The scenario isn’t only limited to the past few DCEU initiatives. MCU, too, has been suffering to get back on its feet.

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Jason Momoa, Brie Larson: Are superhero movies inching close to death?
Jason Momoa’s Aquaman 2 and Brie Larson’s The Marvels

Read more: Peter Safran Breaks Silence While Jason Momoa Hints DCU Exit After Aquaman 2!

We have heard about the superhero fatigue for a while now, but nowhere has it been more brutally apparent than this year. While Guardians of the Galaxy Vol 3. proved a breath of fresh air following a saturated market filled with big-scale franchise fluff, MCU’s Ant-Man and the Wasp: Quantumania and The Marvels couldn’t move the needle.

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In a classic ‘one-step-forward-two-steps-back’ fashion, the MCU, too, has cemented the general audience’s current consensus: superhero movies might be on the edge of dying.

Death Of Superhero Movies: Is There Any Truth To The Belief?

Are superhero movies dying?
Are superhero movies dying?

Last year, Thor: Love and Thunder became the MCU’s laughingstock. On the commercial front, the endeavor was able to perform moderately well. However, the Taika Waititi-helmed pursuit brought forth issues in the franchise that set the tone of judgment for MCU’s succeeding projects (and perhaps the superhero film industry to an extent.)

Cheap, half-baked CGI, pacing problems, plot mediocrities, etc., became the attributes soon to be associated with some of its films and series.

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These trends and talking points eventually permeated the DCEU. This is not to say or imply that all the initiatives taken before this juncture were tremendous narrative achievements or box-office triumphs. Even before 2020–2023, a few projects had issues with storytelling and profitability. The weariness with the genre wasn’t as apparent, though. MCU, especially, became a brand people resonated with and extensively celebrated.

Its purported weak spots only became visible with some ventures in Phase 4, especially in 2022. That, once again, doesn’t imply that the previous year was a grand failing for the franchise. However, it may have signaled the beginning of the end.

Iman Vellani in a still from The Marvels
The Marvels became the lowest-grossing film in the MCU.

Read more: Critics Blame Aquaman 2 Reshoots For Ruining Jason Momoa’s Potential Final DCEU Movie!

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With DCEU’s final five movies, released between late 2022 and late 2023, things have started to look more and more dire. Black Adam failed to break even, and Shazam! Fury of the Gods, The Flash, and Blue Beetle have all been deemed box-office bombs. Among these, only Blue Beetle was favorably received by critics.

And now, Aquaman 2, starring Jason Momoa, is expected to open to a lower weekend gross (at $40 million) than Marvel Studios’ recent failure, The Marvels (via Deadline). Brie Larson’s The Marvels will conclude its theatrical run as the lowest-grossing MCU endeavor to date, suffering the stature of the poorest debut for a Marvel Studios production.

The list of 2023 superhero box office/narrative failures has grown to an unprecedented degree.

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Jason Momoa’s Aquaman 2 Has Further Validated The General Consensus

Patrick Wilson and Jason Momoa in Aquaman and the Lost Kingdom (2023)
Patrick Wilson and Jason Momoa in Aquaman and the Lost Kingdom (2023)

What hasn’t helped in swaying the general audience’s perception is the critical assessment of Jason Momoa’s Aquaman and the Lost Kingdom. 

On Rotten Tomatoes, the approval rating for the Jason Momoa starrer currently sits at a disappointing 36% (from 118 reviews). Although interestingly enough, fans’ evaluation of the endeavor on the site presents a kinder disposition.

However, would word-of-mouth be enough to excite the general public? Would Jason Momoa’s endeavor be able to touch the commercial heights of its predecessor even with an opening weekend tracking lower than The Marvels? Users on Twitter find it unlikely. With these back-to-back failures in the superhero genre solidifying the majority opinion, netizens have concluded that the end of the superhero movie frenzy might be near if it isn’t already.

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Take a look at some of the audience’s reactions:

Read more: Jason Momoa’s Aquaman 2 Box Office Figures Are So Abysmal Even The Flash Looks Like A Blockbuster!

It’s easy to claim that the end of superhero movies is near. But one must remember that both franchises are linked to cherished IPs. Let’s also take MCU and DCEU out of the equation and consider CBM entries like The Batman and Spider-Man: Across the Spider-Verse. They have performed well, and they’re recent releases, too.

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The bottom line is quality and saturation. Audiences are likely to favor well-written premises. They’re also seen to respond well if the market isn’t over-saturated. The MCU and James Gunn’s upcoming DCU must prioritize taking time with their projects and understanding what resonates with the public.

A less-is-more approach is most likely to save the superhero genre. Characters and superhero ensembles like Spider-Man, Fantastic Four, X-Men, Batman, Superman, etc., have the power to pull.

But if there’s no quality—visually, storytelling-wise, and consistency-wise—there’s only so much they can do.

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Written by Debdipta Bhattacharya

Articles Published: 659

Debdipta Bhattacharya is a content writer at FandomWire, where she has written more than 500 articles on various topics of interest. She possesses a sincere passion for popular culture, anime, film production, and the evolving world of YouTube and streaming culture which has allowed her to be a devoted and well-informed writer. Debdipta holds a bachelor's degree in Mass Communication. She has honed her skills and expertise in content writing with over two years of experience and strives to learn and grow daily.