“It’s so mean”: The Academy Disrespecting Godzilla Minus One Crew Who Were Already Struggling to Speak English is Heartbreaking to Watch

The disregard for cultural differences and language barriers is disheartening, particularly in such a prestigious setting!

“It’s so mean”: The Academy Disrespecting Godzilla Minus One Crew Who Were Already Struggling to Speak English is Heartbreaking to Watch

SUMMARY

  • With his historic Best Visual Effects win for Godzilla Minus One at the 2024 Oscars, the King of Monsters breaks multiple records.
  • But the Academy Awards has recently been under fire for being disrespectful to a crew member who had trouble speaking English.
  • Fans and industry insiders are equally incensed about the incident.
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Godzilla Minus One created history on January 23 at the Oscars by being the first movie in the 70-year history of the Godzilla franchise to receive a nomination for Best Visual Effects. As of now, director Takashi Yamazaki, along with the rest of the crew, holds the distinction of being the first Japanese recipient of the Oscar for Best Visual Effects. A much-awaited win!

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In addition to their exceptional work on Godzilla Minus One, Masaki Takahashi, Tatsuji Nojima, Kiyoko Shibuya, and Takashi Yamazaki were recognized with awards for Best Visual Effects. But the Academy recently faced criticism for treating a crew member of the 2023 Japanese epic Kaiju film disrespectfully, given that the member was having difficulty speaking English.

 Godzilla Minus One
Godzilla Minus One

This incident has enraged many fans and industry professionals because it highlights a much larger problem: systemic discrimination in Hollywood. 

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Godzilla Minus One’s Recent Oscar Win Made Kaiju History

Though it has achieved his greatest achievement to date—winning an Oscar—Godzilla is a titan of cinema. Godzilla Minus One, io9’s favorite 2023 film, has just been revealed to have won the Oscar for Best Visual Effects in the 2024 Academy Awards (see CNN).

The film prevailed over fierce competition from Western studios and Marvel, which included The Creator and Guardians of the Galaxy Vol. 3 up for nominations, as well as other Western studios, to claim the prize. It is the first Japanese-made picture to win the Visual Effects trophy and the first nomination (and now win) for the Godzilla franchise in the nearly 70-year history of the Academy Awards.

Takashi Yamazaki
Godzilla Minus One director Takashi Yamazaki (Credit: Dick Thomas Johnson/CC BY 2.0)

Not only is director Takashi Yamazaki one of the recognized nominees, but this is the first time in 55 years that a director has won the VFX award since Stanley Kubrick won the 1969 Academy Award for 2001: A Space Odyssey.

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Breaking Barriers: Godzilla Minus One Crew’s Battle with Language Discrimination?

The recent act of disrespect by the Academy toward one of the crew members of Godzilla Minus One, who was already having difficulty speaking English, has angered both industry insiders and fans. 

A still from Godzilla Minus One
A still from Godzilla Minus One

Many people began to doubt the fairness of the awards process after the crew, who put forth a great deal of effort to bring the famous monster to life on screen, was disregarded and ignored by the esteemed organization.

It was a crushing blow; let us listen to some of the fans’ tweets:

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Despite challenges like language and cultural barriers, the creators of Godzilla Minus One gave it their all to create an artistically stunning and profoundly moving film that captivated audiences worldwide, especially in light of their most recent Oscar win.  

As fans of films and advocates for diversity in the entertainment industry, it is heartbreaking to see the cast and crew of Godzilla Minus One treated with such disrespect. 

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Written by Siddhika Prajapati

Articles Published: 1447

Between everyday normalities and supernatural abnormalities, Siddhika Prajapati finds the story in everything. Literature Honors Graduate and Post-Graduated in Journalism (from Delhi University), her undying need to deduce the extraordinary out of simplicity makes her a vibrant storyteller.

Serving as a Senior Entertainment Writer at Fandom Wire and having written over 1400 pieces, Siddhika has also worked with multiple clients and projects over the years, including Indian Express, India Today, and Outlook Group.

Who knows, maybe your next favorite persona on the screen will be crafted by her.